<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="http://thesourcecode.wetpaint.com/xsl/rss2html.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://thesourcecode.wetpaint.com/scripts/wpcss/wiki/thesourcecode/skin/minimalist/rss" type="text/css" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>TSC - Psi, Parapsychology Database - Recently Updated Pages</title><link>http://thesourcecode.wetpaint.com/pageSearch/updated</link><description>Recently Updated Pages on http://thesourcecode.wetpaint.com</description><language>en-us</language><webMaster>info@wetpaint.com</webMaster><pubDate>Sun, 05 Jul 2009 19:49:28 CDT</pubDate><lastBuildDate>Sun, 05 Jul 2009 19:49:28 CDT</lastBuildDate><generator>wetpaint.com</generator><ttl>60</ttl><image><title>TSC - Psi, Parapsychology Database</title><url>http://image.wetpaint.com/image/1/Xi3LrzIJufnYYySh_rbPnA212047/GW1200H160</url><link>http://thesourcecode.wetpaint.com</link><description>Research, experiments, data, and more on anything regarding Parapsychology, Psi Research, Physics, Anomalous Experiences, and Spirituality.</description></image><item><title>Personal Gods</title><link>http://thesourcecode.wetpaint.com/page/Personal+Gods</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Personal+Gods</guid><comments>Moved from: The Source Code</comments><pubDate>Sun, 05 Jul 2009 19:49:28 CDT</pubDate><description>  &lt;table align=&quot;bottom&quot; class=&quot;wp-border-none&quot; width=&quot;560&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;   &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;   &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;   &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Quantum Entanglement</title><link>http://thesourcecode.wetpaint.com/page/Quantum+Entanglement</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Quantum+Entanglement</guid><comments>Moved from: Content To Be Added</comments><pubDate>Sun, 05 Jul 2009 19:48:54 CDT</pubDate><description> &lt;br&gt;&lt;h2&gt;Technical/Scientific&lt;/h2&gt;Quantum entanglement is a possible property of a quantum mechanical state of a system of two or more objects in which the quantum states of the constituting objects are linked together so that one object can no longer be adequately described without full mention of its counterpart &amp;mdash; even though the individual objects may be spatially separated. This interconnection leads to non-classical correlations between observable physical properties of remote systems, often referred to as nonlocal correlations. For example, quantum mechanics holds that observables such as spin are indeterminate until such time as some physical intervention is made to measure the spin of the object in question. In the singlet state of two spins it is equally likely that any given particle will be observed to be spin-up as that it will be spin-down. Measuring any number of particles will result in an unpredictable series of measures that will tend more and more closely to half up and half down. However, if this experiment is done with entangled particles the results are quite different. When two members of an entangled pair are measured, one will always be spin-up and the other will be spin-down. The distance between the two particles is irrelevant.&lt;br&gt;&lt;br&gt;&lt;h2&gt;Spiritual&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;Shows interesting promise for supporting the metaphysical idea that &amp;quot;we are one&amp;quot; - &lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Unity&quot; target=&quot;_self&quot;&gt;Unity&lt;/a&gt; via mass entanglement.&lt;/li&gt;&lt;li&gt;May provide the beginnings of a way to scientifically quantify &lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Psi+Phenomena&quot; target=&quot;_self&quot;&gt;Psi Phenomena&lt;/a&gt; due to the possibility that consciousness could use entanglement to gather information from far away sources.&lt;br&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Unity</title><link>http://thesourcecode.wetpaint.com/page/Unity</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Unity</guid><pubDate>Sun, 05 Jul 2009 19:35:02 CDT</pubDate><description>The idea that &amp;#39;we are One&amp;#39;.&lt;br&gt;&lt;br&gt;Support&lt;br&gt;&lt;ol&gt;&lt;li&gt;If objects are able to maintain connection over indefinite distance, and if &lt;a href=&quot;http://thesourcecode.wetpaint.com/page/All+Things+are+Entangled&quot; target=&quot;_self&quot;&gt;everything is entangled&lt;/a&gt;, this could prove Unity.&lt;/li&gt;&lt;/ol&gt;Criticism&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Project</title><link>http://thesourcecode.wetpaint.com/page/The+Project</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/The+Project</guid><pubDate>Sun, 05 Jul 2009 16:59:58 CDT</pubDate><description>&lt;h3&gt;Description: &lt;/h3&gt;&lt;br&gt;&lt;h3&gt;Mission&lt;/h3&gt;&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>God as All That Which Is</title><link>http://thesourcecode.wetpaint.com/page/God+as+All+That+Which+Is</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/God+as+All+That+Which+Is</guid><pubDate>Sun, 05 Jul 2009 16:59:43 CDT</pubDate><description>Articles stating the logic behind the idea that God is everything.&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>We Are A Single Self</title><link>http://thesourcecode.wetpaint.com/page/We+Are+A+Single+Self</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/We+Are+A+Single+Self</guid><pubDate>Sun, 05 Jul 2009 16:53:10 CDT</pubDate><description>Articles regarding existence as &amp;quot;One&amp;quot;.&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Alan Watts on us being a single self</title><link>http://thesourcecode.wetpaint.com/page/Alan+Watts+on+us+being+a+single+self</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Alan+Watts+on+us+being+a+single+self</guid><pubDate>Sun, 05 Jul 2009 16:49:30 CDT</pubDate><description>There is no abstract available for this page revision.&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Source Code</title><link>http://thesourcecode.wetpaint.com/page/The+Source+Code</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/The+Source+Code</guid><pubDate>Thu, 23 Apr 2009 19:41:10 CDT</pubDate><description>&lt;div align=&quot;center&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;font size=&quot;5&quot;&gt;A Wiki for Archiving&lt;/font&gt;&lt;/div&gt; &lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;div align=&quot;center&quot;&gt;&lt;font size=&quot;4&quot;&gt;Aiming to be The Largest Database of Psi Research Eve&lt;font color=&quot;#61ff6e&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;r&lt;br&gt;&lt;font color=&quot;#ff0000&quot;&gt;CURRENTLY CLOSED, THIS SITE HAS BECOME UN-NEEDED&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;font color=&quot;#808080&quot; size=&quot;3&quot;&gt;in affiliation with &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.RedefineGod.com&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Redefine God&lt;/a&gt;&lt;/font&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.RedefineGod.com&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;br&gt;&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;div align=&quot;center&quot;&gt; &lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div align=&quot;center&quot;&gt;&lt;font color=&quot;#02968a&quot;&gt;Looking for an Article?&lt;br&gt;&lt;font color=&quot;#ffffff&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/The+Library&quot; target=&quot;_self&quot;&gt;&lt;font size=&quot;5&quot;&gt;Browse The Library&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;font color=&quot;#008075&quot;&gt;Don&amp;#39;t Like Sparse Results?&lt;/font&gt;&lt;br&gt;&lt;font color=&quot;#ffffff&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/How+To+Submit&quot; target=&quot;_self&quot;&gt;&lt;font size=&quot;5&quot;&gt;Contribute an Article&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;br&gt;&lt;h2 align=&quot;left&quot;&gt;&lt;font color=&quot;#61ff6e&quot; size=&quot;4&quot;&gt;Resources&lt;/font&gt;&lt;/h2&gt;&lt;div align=&quot;center&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;ul&gt;&lt;li&gt;&lt;div align=&quot;left&quot;&gt;&lt;font color=&quot;#ffa500&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Entry+Resources&quot; target=&quot;_self&quot;&gt;Resources for Entries&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;div align=&quot;left&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Intro+to+Entries&quot; target=&quot;_self&quot;&gt;What Should An Entry Look Like?&lt;/a&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;div align=&quot;left&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/FAQ&quot; target=&quot;_self&quot;&gt;FAQ&lt;/a&gt;&lt;/div&gt;     &lt;/li&gt;&lt;li&gt;&lt;div align=&quot;left&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/The+Project&quot; target=&quot;_self&quot;&gt;About This Project&lt;/a&gt;&lt;/div&gt; &lt;/li&gt;&lt;li&gt;&lt;div align=&quot;left&quot;&gt;   Or ask the community in the forum below&lt;/div&gt;&lt;div align=&quot;left&quot;&gt; &lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;div align=&quot;left&quot;&gt;&lt;div align=&quot;left&quot;&gt;&lt;/div&gt; &lt;div align=&quot;left&quot;&gt;          &lt;/div&gt; &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;font color=&quot;#6bfa6e&quot; size=&quot;4&quot;&gt;New Pages&lt;/font&gt;&lt;br&gt;&lt;div class=&quot;WPC-edit-field WPC-edit-rss WPC-edit-rss-total-3&quot;&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://widget.wetpaintserv.us/wiki/thesourcecode/page/The+Source+Code/widget/wetpaintrss/f6816260e40e0ddba62201809427e8401525a4c6&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font color=&quot;#808080&quot;&gt;Other Resources&lt;/font&gt;&lt;br&gt;&lt;div align=&quot;left&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/sitemap&quot; target=&quot;_self&quot;&gt;-Administrators&lt;/a&gt; &lt;a href=&quot;http://thesourcecode.wetpaint.com/page/sitemap&quot; target=&quot;_self&quot;&gt;-Sitemap&lt;/a&gt; &lt;font color=&quot;#ffffff&quot; size=&quot;3&quot;&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://paintsplatters.wetpaint.com/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;-Paint Splatters&lt;/a&gt;&lt;/font&gt; &lt;/div&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>How To Submit</title><link>http://thesourcecode.wetpaint.com/page/How+To+Submit</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/How+To+Submit</guid><comments>Moved from: Uncategorized</comments><pubDate>Sat, 27 Sep 2008 18:40:44 CDT</pubDate><description>&lt;h2&gt;How do I add or organize new pages?&lt;/h2&gt; This site works best when people like you, who have some genuine knowledge to share, put it out there for everyone else &amp;mdash; and it couldn&amp;#39;t be easier to do. To create a new page, simply click on the &amp;#39;Addpage&amp;#39; link below the navigation pane on the left. The page will be added as a sub page of whatever page you are currently on. You can always move a page later.&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;The &amp;quot;Add A Page&amp;quot; dialog will appear.&lt;br&gt;&lt;br&gt; 					 &lt;br&gt;&lt;br&gt;&lt;b&gt;Instructions 				&lt;br&gt;&lt;br&gt;&lt;/b&gt;First, confirm the location where your new page will appear. Your new page will automatically become a sub page of the page that you were viewing when you clicked on the &amp;quot;Add a new page&amp;quot; link. &lt;br&gt; 						&lt;br&gt; If you want your page to appear somewhere else on the site, click on the &amp;quot;Change Location&amp;quot; button and the &amp;quot;Select a Location&amp;quot; dialog will appear.&lt;br&gt;&lt;br&gt; &lt;br&gt; 						&lt;br&gt; Here you can view all the pages currently on the site. To make your new page a sub page of an existing page, click on that page and then click on the &amp;quot;Select Location&amp;quot; button. &lt;br&gt;&lt;br&gt;Once you&amp;#39;ve chosen a location for your new page (or decided to leave it in the automatically chosen location), type in a name for your page. Keep it short, as this will appear in the site&amp;#39;s navigation.&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;You may choose to assign &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.wetpaintcentral.com/page/Keyword+Tags&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;keyword tags &lt;/a&gt;so your page will be easier for other site visitors. Enter as many relevant tags as you like, separating each one with a comma as shown below.&lt;br&gt;&lt;br&gt;. &lt;br&gt;&lt;br&gt;You may choose a &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.wetpaintcentral.com/page/Using+Templates&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;preformatted template &lt;/a&gt;to use as the starting point for your new page. Select the template that best fits the page you want to create. When you click on the template name, you will see the template fill in your previously blank page. If you prefer to start from a clean canvas, select Blank Page (default).&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Library</title><link>http://thesourcecode.wetpaint.com/page/The+Library</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/The+Library</guid><pubDate>Thu, 25 Sep 2008 16:12:48 CDT</pubDate><description> 			&lt;table align=&quot;bottom&quot; cellpadding=&quot;3&quot; class=&quot;WPC-edit-border-all&quot; height=&quot;307&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class=&quot;WPC-edit-borderTop-none&quot; width=&quot;50%&quot;&gt;Come here to browse the growing catalog of genuine research having been conducted from around the 1960&amp;#39;s to now.&lt;br&gt;&lt;br&gt;When you submit an article always submit it to &amp;#39;The Library&amp;#39; and tag it appropriately.&lt;br&gt;&lt;br&gt;&lt;b&gt;Each of these categories is actually a link to all the articles in the database containing that tag&lt;/b&gt;&lt;/td&gt;&lt;td class=&quot;WPC-edit-borderTop-none&quot; width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/consciousness&quot; target=&quot;_self&quot;&gt;Consciousness&lt;/a&gt;&lt;/h2&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Psi+Phenomena&quot; target=&quot;_self&quot;&gt;Psi Phenomena&lt;/a&gt;&lt;/h2&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/remote+perception&quot; target=&quot;_self&quot;&gt;Remote Perception&lt;/a&gt;&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Remote+Viewing+Clairvoyance&quot; target=&quot;_self&quot;&gt;Remote Viewing, Clairvoyance&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Telepathy&quot; target=&quot;_self&quot;&gt;Telepathy&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Precognition&quot; target=&quot;_self&quot;&gt;Precognition&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/psychokinesis&quot; target=&quot;_self&quot;&gt;Psychokinesis&lt;/a&gt;&lt;/h3&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Psychokinesis+Stable+Systems&quot; target=&quot;_self&quot;&gt;Stable Systems&lt;/a&gt; (metal bending, etc)&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Psychokinesis+Moving+Systems&quot; target=&quot;_self&quot;&gt;Moving Systems&lt;/a&gt; (dice tossing, etc)&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Psychokinesis+Living+Systems&quot; target=&quot;_self&quot;&gt;Living Systems&lt;/a&gt; (animal or plant cells, etc)&lt;/li&gt;&lt;/ul&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/Science&quot; target=&quot;_self&quot;&gt;Science&lt;/a&gt;&lt;/h2&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/physics&quot; target=&quot;_self&quot;&gt;Physics&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/quantum+physics&quot; target=&quot;_self&quot;&gt;Quantum Physics&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/evolution&quot; target=&quot;_self&quot;&gt;Evolution&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/space+time&quot; target=&quot;_self&quot;&gt;Space, Time&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Death&quot; target=&quot;_self&quot;&gt;Death&lt;/a&gt;&lt;/h2&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Post+Death+Communication&quot; target=&quot;_self&quot;&gt;Post Death Communication&lt;/a&gt;&lt;/h3&gt;&lt;ul&gt;&lt;li&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Death+Spontaneous+Communication&quot; target=&quot;_self&quot;&gt;Spontaneous&lt;/a&gt;&lt;/h3&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Post+Death+Communication+Evoked&quot; target=&quot;_self&quot;&gt;Evoked&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Post+Death+Communication+Mediumship&quot; target=&quot;_self&quot;&gt;Mediumship&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Post+Death+Communication+Psychomanteum&quot; target=&quot;_self&quot;&gt;Psychomanteum&lt;/a&gt;&lt;br&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/Life&quot; target=&quot;_self&quot;&gt;Life&lt;/a&gt;&lt;/h2&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Past+Lives&quot; target=&quot;_self&quot;&gt;Past Lives&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/mythology&quot; target=&quot;_self&quot;&gt;Mythology&lt;/a&gt;&lt;/h2&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Personal+Mythology&quot; target=&quot;_self&quot;&gt;Personal Mythology&lt;/a&gt;&lt;/h3&gt;&lt;ul&gt;&lt;li&gt;Known Mythologies&lt;/li&gt;&lt;/ul&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/God&quot; target=&quot;_self&quot;&gt;God&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Cultural+Mythology&quot; target=&quot;_self&quot;&gt;Cultural&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Family+Mythology&quot; target=&quot;_self&quot;&gt;Family&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Institutional+Mythology&quot; target=&quot;_self&quot;&gt;Institutional&lt;/a&gt;&lt;/h3&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Ethnic+Mythology&quot; target=&quot;_self&quot;&gt;Ethnic&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;h2&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com../tag/Healing&quot; target=&quot;_self&quot;&gt;Healing&lt;/a&gt;&lt;/h2&gt;&lt;h3&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/tag/Prayer&quot; target=&quot;_self&quot;&gt;Prayer&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Psi Phenomena</title><link>http://thesourcecode.wetpaint.com/page/Psi+Phenomena</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Psi+Phenomena</guid><comments>Moved from: The Source Code</comments><pubDate>Thu, 25 Sep 2008 15:31:40 CDT</pubDate><description>There is no abstract available for this page revision.&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Consciousness</title><link>http://thesourcecode.wetpaint.com/page/Consciousness</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Consciousness</guid><comments>Moved from: The Source Code</comments><pubDate>Thu, 25 Sep 2008 15:29:36 CDT</pubDate><description>There is no abstract available for this page revision.&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Contemporary Artists as Shamans: Can This Be True?</title><link>http://thesourcecode.wetpaint.com/page/Contemporary+Artists+as+Shamans%3A+Can+This+Be+True%3F</link><author>Benyshek</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Contemporary+Artists+as+Shamans%3A+Can+This+Be+True%3F</guid><pubDate>Mon, 22 Sep 2008 22:42:33 CDT</pubDate><description>There is no abstract available for this page revision.&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Ensoundment</title><link>http://thesourcecode.wetpaint.com/page/Ensoundment</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Ensoundment</guid><comments>irrelevent material</comments><pubDate>Sat, 20 Sep 2008 18:27:31 CDT</pubDate><description>&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Glossary of Terms</title><link>http://thesourcecode.wetpaint.com/page/Glossary+of+Terms</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Glossary+of+Terms</guid><pubDate>Sat, 13 Sep 2008 19:40:18 CDT</pubDate><description> 			&lt;br&gt;&lt;b&gt;A-C&lt;/b&gt;    &lt;table align=&quot;bottom&quot; cellpadding=&quot;3&quot; class=&quot;WPC-edit-border-rows&quot; width=&quot;100%&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;i&gt;Term&lt;/i&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;i&gt;Definition&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;Alpha&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;Very early pre-release.&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;ATWI&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;All That Which Is.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;Beta&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;Pre-release.&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt; 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 &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;H-L&lt;br&gt;&lt;/b&gt;    &lt;table align=&quot;bottom&quot; cellpadding=&quot;3&quot; class=&quot;WPC-edit-border-rows&quot; width=&quot;100%&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;i&gt;Term&lt;/i&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;i&gt;Definition&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt; 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 &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;b&gt;R-Z&lt;br&gt;&lt;/b&gt;  &lt;table align=&quot;bottom&quot; cellpadding=&quot;3&quot; class=&quot;WPC-edit-border-rows&quot; width=&quot;100%&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;i&gt;Term&lt;/i&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;i&gt;Definition&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;td width=&quot;50%&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>FAQ</title><link>http://thesourcecode.wetpaint.com/page/FAQ</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/FAQ</guid><pubDate>Sat, 13 Sep 2008 19:38:42 CDT</pubDate><description> 			&lt;h3&gt;&lt;br&gt;&lt;/h3&gt;&lt;h3&gt;&lt;table align=&quot;bottom&quot; cellpadding=&quot;3&quot; class=&quot;WPC-edit-border-all&quot; height=&quot;114&quot; width=&quot;440&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/The+Project&quot; target=&quot;_self&quot;&gt;What is This Project About?&lt;/a&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.wetpaintcentral.com/page/FAQ&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Wiki How-To Guide&lt;br&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Wiki+Video&quot; target=&quot;_self&quot;&gt;What&amp;#39;s a Wiki?&lt;/a&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Parapsychology&quot; target=&quot;_self&quot;&gt;What is Parapsychology or Psi Research?&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td width=&quot;50%&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Do%27s+and+Dont%27s+of+Posting&quot; target=&quot;_self&quot;&gt;Do&amp;#39;s and Don&amp;#39;ts of Posting Entries&lt;/a&gt;&lt;/td&gt;&lt;td width=&quot;50%&quot;&gt;&lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Glossary+of+Terms&quot; target=&quot;_self&quot;&gt;Glossary of Terms&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;/h3&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Wiki Video</title><link>http://thesourcecode.wetpaint.com/page/Wiki+Video</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Wiki+Video</guid><pubDate>Sat, 13 Sep 2008 19:37:51 CDT</pubDate><description>&lt;h3&gt;What is a wiki?&lt;/h3&gt;Try watching this...&lt;br&gt; &lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Do's and Dont's of Posting</title><link>http://thesourcecode.wetpaint.com/page/Do%27s+and+Dont%27s+of+Posting</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Do%27s+and+Dont%27s+of+Posting</guid><pubDate>Sat, 13 Sep 2008 19:36:53 CDT</pubDate><description>&lt;font color=&quot;#ff0000&quot; size=&quot;4&quot;&gt;&lt;b&gt;Don&amp;#39;ts&lt;/b&gt;&lt;/font&gt;&lt;ul&gt;&lt;li&gt;Post entries that refelct your personal opinion. Just remember, The Source Code is a compendium of studies, scientific journals and professionally written articles, NOT a proving ground for personal opinions.&lt;/li&gt;&lt;li&gt;Use The Source Code to promote your website or anyone elses you personally know unless it is completely relevant to the entry.&lt;/li&gt;&lt;li&gt;Worry too much about making a post that is somewhat incomplete. If it is relevant and you cite enough sources, other people can pick up where you left off.&lt;/li&gt;&lt;li&gt;And don&amp;#39;t worry about messing up someone elses work. If you look carefully below the posting area you&amp;#39;ll find a link that allows you to see a pages &amp;quot;History&amp;quot; where all the previous versions are safely stowed away!&lt;br&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br&gt;&lt;font color=&quot;#00ff00&quot;&gt;&lt;b&gt;&lt;font size=&quot;4&quot;&gt;Do&amp;#39;s&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;ul&gt;&lt;li&gt;Realize and revel in the fact that you are part of something epic; the planting and nurturing of the worlds first and only compendium of scientific knowledge about subjects that have, until now, been scattered across countless books and studies.&lt;br&gt;&lt;/li&gt;&lt;li&gt;Post unbiased entries about current scientific knowledge which could be of possible spiritual relevance to the rest of us.&lt;/li&gt;&lt;li&gt;Correct other people&amp;#39;s errors of ANY kind within an entry.&lt;/li&gt;&lt;li&gt;Use the &amp;quot;Uncategorized&amp;quot; label when appropriate. This will keep the link from showing up on the left hand navigation.&lt;/li&gt;&lt;/ul&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Journal of Consciousness Studies</title><link>http://thesourcecode.wetpaint.com/page/Journal+of+Consciousness+Studies</link><author>Benyshek</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Journal+of+Consciousness+Studies</guid><comments>Copy/paste from Journal of Consciousness Studies, downloaded 9/13/2008</comments><pubDate>Sat, 13 Sep 2008 11:14:10 CDT</pubDate><description>&lt;h2&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/jcs.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/jcs.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.imprint.co.uk/jcs.html&lt;/a&gt; &lt;/h2&gt;&lt;br&gt;&lt;h2&gt;Journal of Consciousness Studies&lt;/h2&gt;  &lt;blockquote&gt;  &lt;li&gt;&lt;b&gt;&lt;i&gt;&lt;font face=&quot;Arial,Helvetica&quot;&gt;&lt;font size=&quot;-1&quot;&gt;How does the mind relate to the brain?&lt;/font&gt;&lt;/font&gt;&lt;/i&gt;&lt;/b&gt;   &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;&lt;font face=&quot;Arial,Helvetica&quot;&gt;&lt;font size=&quot;-1&quot;&gt;Can computers ever be conscious?&lt;/font&gt;&lt;/font&gt;&lt;/i&gt;&lt;/b&gt;   &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;i&gt;&lt;font face=&quot;Arial,Helvetica&quot;&gt;&lt;font size=&quot;-1&quot;&gt;What do we mean by subjectivity and the self?&lt;/font&gt;&lt;/font&gt;&lt;/i&gt;&lt;/b&gt;&lt;/li&gt;&lt;/blockquote&gt;  &lt;font face=&quot;Arial,Helvetica&quot;&gt;&lt;font size=&quot;-1&quot;&gt;These questions are being keenly debated in fields as diverse as cognitive science, neurophysiology and philosophy. &lt;i&gt;JCS&lt;/i&gt; is a peer-reviewed journal which examines these issues in plain English.&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;Over the last few years, research into consciousness has at last become accepted within the academic community. As John Searle puts it, raising the subject of consciousness in cognitive science discussions is no longer considered to be ``bad taste&amp;#39;&amp;#39;, causing graduate students to ``roll their eyes at the ceiling and assume expressions of mild disgust.&amp;#39;&amp;#39;   But why are we interested in consciousness? Most people are interested not just because of the academic and interdisciplinary challenges, but because of their personal experience - we have consciousness, we experience it; perhaps we even think that we ``are&amp;#39;&amp;#39; it. But, if we are to make progress in studying consciousness, we will have to think about it very clearly, and engage in serious constructive dialogues between a variety of viewpoints. And that is the purpose of this journal.   The field of consciousness studies is at a very early stage, characterized by crude theories, most of which are unlikely to stand the test of time. We prefer a broad, diverse and open conceptualization - including political consciousness, and ecological consciousness (for example in the sense of Bateson&amp;#39;s ``ecology of mind&amp;#39;&amp;#39;), but we do not wish to define for our authors exactly what any of these terms mean. We seek to provoke a spirited debate by actively seeking serious opposing views, for example from cognitive science, biology and philosophy.   The &lt;i&gt;Journal of Consciousness Studies&lt;/i&gt; covers this broad field by:   &lt;ul&gt;  &lt;li&gt;&lt;b&gt;&lt;font color=&quot;#800000&quot;&gt;Presenting serious peer-reviewed scientific and humanistic papers in non-technical language&lt;/font&gt;&lt;/b&gt;   &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;font color=&quot;#800000&quot;&gt;Including philosophical critiques of contemporary research&lt;/font&gt;&lt;/b&gt;   &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;font color=&quot;#800000&quot;&gt;Considering submissions from all disciplines and viewpoints&lt;/font&gt;&lt;/b&gt;   &lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;font color=&quot;#800000&quot;&gt;Encouraging a robust and lively debate on the full range of issues involved&lt;/font&gt;&lt;/b&gt;   &lt;/li&gt;&lt;li&gt;&lt;font color=&quot;#800000&quot;&gt;&lt;b&gt;A good mix of submitted papers and &lt;/b&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/jcs_contents.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;special issues&lt;/font&gt;&lt;/u&gt;&lt;/b&gt;&lt;/a&gt;&lt;/font&gt; &lt;/li&gt;&lt;/ul&gt;&lt;br&gt;&lt;ul&gt;  &lt;li&gt;Robert Forman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15_8_Freiburg.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;A Watershed Event: Neuroscience, Consciousness and Spirituality Conference&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.8)   &lt;/li&gt;&lt;li&gt;Brian Earl, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15_7-Earl.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;What Does the &lt;i&gt;Evidence&lt;/i&gt; Tell Us about the Biological Value of Consciousness?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.7)   &lt;/li&gt;&lt;li&gt;Jordan Zlatev, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15_6_Editorial+introduction.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Dialectics of Consciousness and Language&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.6)   &lt;/li&gt;&lt;li&gt;Ulrich Mohrhoff, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15-5_India.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Indian Psychology&amp;#39;s Coming of Age&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.5)   &lt;/li&gt;&lt;li&gt;Ed Subitsky, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15_4_Subitzky.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Experiment&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.4)   &lt;/li&gt;&lt;li&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15_3_br.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Book Reviews&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.3)   &lt;/li&gt;&lt;li&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/15_2_br.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Book Reviews&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.2)   &lt;/li&gt;&lt;li&gt;Andy Ross, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Ross_Honderich.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Honderich and McGinn&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.15, No.1)   &lt;/li&gt;&lt;li&gt;Jonathan Edelmann &amp;amp; William Bernet, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Edelman.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Setting Criteria for Ideal Reincarnation Research&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.12)   &lt;/li&gt;&lt;li&gt;William I. Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Thompson_14-11.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Natural Drift and the Evolution of Culture&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.11)   &lt;/li&gt;&lt;li&gt;Rocco J. Gennaro,&lt;b&gt; &lt;/b&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Roccaro_intro.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Consciousness and Concepts: An Introductory Essay&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;  (Vol.14, No.9-10)   &lt;/li&gt;&lt;li&gt;Stuart Hameroff, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/ASSC_hameroff.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Good, the Bad and the Octopus&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; Conference Report on ASSC 11, 2007 (Vol.14, No.8)   &lt;/li&gt;&lt;li&gt;Robert Clowes, Steve Torrance &amp;amp; Ron Chrisley, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/14_7_introduction.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Machine Consciousness: Embodiment and Imagination&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.7)   &lt;/li&gt;&lt;li&gt;Heikki Ik&amp;auml;heimo &amp;amp; Arto Laitinen,&lt;b&gt; &lt;/b&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/14_5-6_introduction.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Dimensions of Personhood&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.5-6)   &lt;/li&gt;&lt;li&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/14_4_books.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Book Reviews&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.4)   &lt;/li&gt;&lt;li&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/14_3_books.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Book Reviews&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.3)   &lt;/li&gt;&lt;li&gt;J. Scott Jordan &amp;amp; Dawn M. McBride,&lt;b&gt; &lt;/b&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/14_1-2_Prologue.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Concepts of Consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.14, No.1-2)   &lt;/li&gt;&lt;li&gt;Zoltan L. Torey, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Torey.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Immaculate Misconception&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.12)   &lt;/li&gt;&lt;li&gt;Anthony Freeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/JCS_Panpsychism_Editorial.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Editorial Preface&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.10-11)   &lt;/li&gt;&lt;li&gt;Ed Subitzky, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Subitzky_Reflection.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Voyage&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.9)   &lt;/li&gt;&lt;li&gt;Anthony Freeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Honderich_ed.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Editorial Preface&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.7-8)   &lt;/li&gt;&lt;li&gt;Claude Pasquini, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/ASSC-10.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;ASSC10&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.6)   &lt;/li&gt;&lt;li&gt;Mary Midgley, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Midgley.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Editorial Introduction&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.5)   &lt;/li&gt;&lt;li&gt;Bill Faw, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Tucson_report.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Are We Studying Consciousness Yet?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; Tucson 2006 (Vol.13, No.4)   &lt;/li&gt;&lt;li&gt;Anthony Freeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/13-3_Freeman.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;A Daniel Come to Judgement? Dennett and the Revisioning of Transpersonal Theory&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.13, No.3)   &lt;/li&gt;&lt;li&gt;Michael Pauen, Alexander Staudacher and Sven Walter, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/13_1-2_Introduction.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Epiphenomenalism: Dead End or Way Out&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;? (Vol.13, No.1-2)   &lt;/li&gt;&lt;li&gt;Ed Subitzky, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Subitzky.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Inkland&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.12, No.12)   &lt;/li&gt;&lt;li&gt;Helmut Reich, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/TSC+2005.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Methodological and Conceptual Issues: TSC 2005&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.12, No.11)   &lt;/li&gt;&lt;li&gt;Giovanna  Colombetti and Evan Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Emotion_Preface.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Emotion Experience&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.12, No.8-10)   &lt;/li&gt;&lt;li&gt;Bill Faw, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/ASSC_9.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;What We Know and What We Don&amp;rsquo;t About Consciousness Science&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.12, No.7)   &lt;/li&gt;&lt;li&gt;Anthony Freeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Editorial12_6.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Sense of Being Glared At: What Is It Like to be a Heretic&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;? (Vol.12, No.6)   &lt;/li&gt;&lt;li&gt;Chris Clarke, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Clarke+on+Globus.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Being and Field Theory&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.12, No.4-5)   &lt;/li&gt;&lt;li&gt;John Barber, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/barber.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Consciousness and Teleportation&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.12, No.3)   &lt;/li&gt;&lt;li&gt;Charles Whitehead, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Tucson2004.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Tucson: Ten Years On&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.11, No.12)   &lt;/li&gt;&lt;li&gt;Dan Zahavi, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Hidden_resources.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Study of Consciousness and the Re-Invention of the Wheel&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 11, No.10-11)   &lt;/li&gt;&lt;li&gt;Douglas F. Watt, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Beauregard_Watt.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Consciousness, Emotional Self-Regulation and the Brain&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 11, No.9)   &lt;/li&gt;&lt;li&gt;Burton Voorhees, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Lakoff_Voorhees.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Embodied Mathematics&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 11, No.9)   &lt;/li&gt;&lt;li&gt;Adam Zeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Antwerp.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;ASSC8&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 11, No.9)   &lt;/li&gt;&lt;li&gt;Anthony I. Jack and Andreas Roepstorff, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/trust2_intro.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Trust or Interaction?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 11, No.7-8)   &lt;/li&gt;&lt;li&gt;Roberta Tucker, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/tucker.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Introduction to Special Feature on Consciousness and Literature&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 11, No.5-6)   &lt;/li&gt;&lt;li&gt;Erich Harth, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Harth.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Art and Reductionism&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.11, No.3-4)   &lt;/li&gt;&lt;li&gt;Benjamin Libet, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Libet.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Can Conscious Experience Affect Brain Activity&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;? (Vol.10, No.12)   &lt;/li&gt;&lt;li&gt;Josh Weisberg, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Metzinger_Weisberg.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Being All That We Can Be&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.11)   &lt;/li&gt;&lt;li&gt;Anthony I. Jack and Andreas Roepstorff, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Jack_Roepstorff.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Why Trust the Subject&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;? (Vol. 10, No.9-10)   &lt;/li&gt;&lt;li&gt;VS Ramachandran and EM Hubbard, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/R_H-follow-up.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Phenomenology of Synaesthesia&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 10, No.8)   &lt;/li&gt;&lt;li&gt;James Alcock, &lt;font color=&quot;#000000&quot;&gt;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Alcock-editorial.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Give the Null Hypothesis a Chance: Reasons to Remain Doubtful about the Existence of Psi&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.6-7)&lt;/font&gt;   &lt;/li&gt;&lt;li&gt;Owen Holland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Holland_Introduction.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Machine Consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.4-5)   &lt;/li&gt;&lt;li&gt;William Irwin Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/WI_Thompson.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Borg or Borges?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.4-5)   &lt;/li&gt;&lt;li&gt;John Smythies, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/smythies.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Space, Time and Consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.3)   &lt;/li&gt;&lt;li&gt;J. Andrew Ross, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/NYAS.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Self: From Soul to Brain&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.2)   &lt;/li&gt;&lt;li&gt;Keith Sutherland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Gray.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Straw Men and Diamond Dogs&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.10, No.2)   &lt;/li&gt;&lt;li&gt;John Searle, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/searle-final.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Why I Am Not a Property Dualist&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 9, No.12)   &lt;/li&gt;&lt;li&gt;David Lorimer, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/wallace-lorimer.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Need for a Noetic Revolution&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.9, No.12)   &lt;/li&gt;&lt;li&gt;Michel Ferrari, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Intro-James.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Introduction&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; to &lt;i&gt;Varieties of Religious Experience: Centenary Essays&lt;/i&gt; (Vol.9, No.9-10)   &lt;/li&gt;&lt;li&gt;Martin E. Marty, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Marty-response.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Varieties of Contexts for Reappraising &lt;i&gt;The Varieties&lt;/i&gt;&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.9, No.9-10)   &lt;/li&gt;&lt;li&gt;William Irwin Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/afterlife.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Evolution of the Afterlife&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.9, No.8)   &lt;/li&gt;&lt;li&gt;Keith Sutherland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Polymathy.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Perils of Polymathy&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.9, No.8)   &lt;/li&gt;&lt;li&gt;Alva Noe, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/NOE.PDF&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Is the Visual World a Grand Illusion?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.9, No.5-6)   &lt;/li&gt;&lt;li&gt;Sam Salt, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Metzinger.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;A Truly Hard Problem &lt;/font&gt;&lt;/u&gt;&lt;/a&gt;(Vol.9, No.1)   &lt;/li&gt;&lt;li&gt;Amy Ione, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/ione/1037.PDF&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;An Enquiry into Paul Cezanne &lt;/font&gt;&lt;/u&gt;&lt;/a&gt;(Vol.7, No.8/9)   &lt;/li&gt;&lt;li&gt;Keith Sutherland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/1245.PDF&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Consciousness and Emotion&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol.8, No.12)   &lt;/li&gt;&lt;li&gt;Anthony Freeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/emergence.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Introduction&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; to The Emergence of Consciousness (Vol.8, No.9-10)   &lt;/li&gt;&lt;li&gt;Evan Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Francisco_Varela.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Obituary Note&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; for Francisco J. Varela (Vol.8, No.8)   &lt;/li&gt;&lt;li&gt;Bill Faw, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/ASSC-5.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Whither Consciousness Studies?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;  (Vol.8, No.8)   &lt;/li&gt;&lt;li&gt;Evan Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Thompson.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Empathy and Consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Vol. 8, No.5-7)   &lt;/li&gt;&lt;li&gt;Editorial: &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Editorial_8-1.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Another Front in the Science Wars?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;  (Vol.8, No.1)   &lt;/li&gt;&lt;li&gt;V.S. Ramachandran, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/rama_interview.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Sharpening Up &amp;lsquo;The Science of Art&amp;rsquo;&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;   (Vol.8, No.1)   &lt;/li&gt;&lt;li&gt;Editorial: &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/editor.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The future of consciousness studies&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;   &lt;/li&gt;&lt;li&gt;Francisco Varela &amp;amp; Jonathan Shear, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/view/JCSCHAP.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Introduction&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; to &lt;i&gt;The View From Within&lt;/i&gt;   &lt;/li&gt;&lt;li&gt;Galen Strawson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/strawson.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;&amp;#39;The self&amp;#39;&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 4, No. 5/6, keynote paper)   &lt;/li&gt;&lt;li&gt;Bernard J. Baars, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/theatre.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;In the theatre of consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 4, No.4, keynote paper)   &lt;/li&gt;&lt;li&gt;David J. Chalmers, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/chalmers.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Facing up to the problem of consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 2, No.3)   &lt;/li&gt;&lt;li&gt;Daniel C. Dennett, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/online/HP_dennett.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Facing backwards on the problem of consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 3, No.1)   &lt;/li&gt;&lt;li&gt;Andy Clark, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/imprint/online/Clark.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;I am John&amp;#39;s Brain&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 2, No.2)   &lt;/li&gt;&lt;li&gt;Todd C. Moody, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Moody_zombies.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Conversations with zombies&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 1, No.2)   &lt;/li&gt;&lt;li&gt;Jaron Lanier, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.well.com/user/jaron/zombie.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;You can&amp;#39;t argue with a zombie&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 2, No.4)   &lt;/li&gt;&lt;li&gt;Stuart Hameroff and Roger Penrose, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.u.arizona.edu/~hameroff/penrose2.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Conscious events as orchestrated spacetime selections&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 3, No. 1)   &lt;/li&gt;&lt;li&gt;Bernard J. Baars, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/online/baars.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Understanding subjectivity: Global Workspace theory and the resurrection of the observing self&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 3, No.3)   &lt;/li&gt;&lt;li&gt;Arthur Deikman, &amp;quot;&lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/online/Deikman.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;I&amp;quot; = awareness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 3, No.4)   &lt;/li&gt;&lt;li&gt;Thomas Metzinger, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/online/Metz1.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Faster than thought: holism, homogeneity and temporal coding&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (from &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/ce.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Conscious Experience&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;)   &lt;/li&gt;&lt;li&gt;Robert Forman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Forman.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;What does mysticism have to teach us about consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 5, No.2)   &lt;/li&gt;&lt;li&gt;Ken Wilber, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Wilber.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;An integral theory of consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 4, No.1)   &lt;/li&gt;&lt;li&gt;Jaron Lanier, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Skeleton.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Death: the skeleton key to consciousness studies&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 4, No.2)   &lt;/li&gt;&lt;li&gt;Maxine Sheets-Johnson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/sheet.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Consciousness: a natural history&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 5, No.3), forthcoming   &lt;/li&gt;&lt;li&gt;Keith Sutherland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/mirror.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Mirror of Consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 5, No.2)   &lt;/li&gt;&lt;li&gt;Anthony J. Rudd, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/rudd/wittgens.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;What it&amp;#39;s like and what&amp;#39;s really wrong with physicalism: a Wittgensteinian approach&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 5, No. 4)   &lt;/li&gt;&lt;li&gt;Keith Sutherland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/t3.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Tucson III: a personal view&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 5, No. 4)   &lt;/li&gt;&lt;li&gt;Michael Gazzaniga (in conversation with Shaun Gallagher), &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/gazza_iv.htm&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Neuronal Platonist&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 5, No.5/6)   &lt;/li&gt;&lt;li&gt;Allin Cottrell, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/cottrell.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Sniffing the Camembert: on the conceivability of zombies&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 6, No.1)   &lt;/li&gt;&lt;li&gt;Leonard D. Katz, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Katz.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Introduction to Evolutionary Origins of Morality&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 7, No. 1/2)   &lt;/li&gt;&lt;li&gt;Jacob Reimer, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Tucson_reimer.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Tucson 2000: A Whirlwind Tour&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 7, No. 6)   &lt;/li&gt;&lt;li&gt;T. Murinbata and C. Whitehead, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Tjiniman.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Why Consciousness Conferences Are Not Really Getting Us Anywhere&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;: A Stone-Age Anthropologist Explains (Volume 7, No. 6)   &lt;/li&gt;&lt;li&gt;Alwyn Scott, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Koch.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;How Smart Is a Neuron?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; Review of Christof Koch&amp;rsquo;s &lt;i&gt;Biophysics of Computation &lt;/i&gt;(Volume 7, No. 5)   &lt;/li&gt;&lt;li&gt;Johannes Roessler, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Evans.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Attention and the Self:&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; An Appreciation of C.O. Evans&amp;rsquo; &lt;i&gt;The Subject of Consciousness &lt;/i&gt;(Volume 7, No. 5)   &lt;/li&gt;&lt;li&gt;William Irwin Thompson, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/Thompson.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Speculations on the City and the Evolution of Consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 7, No.7)   &lt;/li&gt;&lt;li&gt;Joseph A. Goguen, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.maurer.demon.co.uk/jcs_pdf/Introduction.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Editorial Introduction&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; to &lt;i&gt;Art and the Brain, Part II &lt;/i&gt;(Volume 7, No.8/9)   &lt;/li&gt;&lt;li&gt;Erik Myin, &lt;i&gt;Two Sciences of Perception and Visual Art&lt;/i&gt;: &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.maurer.demon.co.uk/jcs_pdf/Myin.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Editorial Introduction&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; to the Brussels Papers (Volume 7, No.8/9)   &lt;/li&gt;&lt;li&gt;Anthony Freeman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf2/Freeman.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Responsibility Without Choice: A First-Person Approach&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 7, No.10)   &lt;/li&gt;&lt;li&gt;Keith Sutherland, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf2/Greenfield.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Why Do We Want To Open the Black Box&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;? (Volume 7, No.10)   &lt;/li&gt;&lt;li&gt;Jensine Andresen &amp;amp; Robert Forman, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/Editorial.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Methodological Pluralism in the Study of Religion&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 7, No.11/12)   &lt;/li&gt;&lt;li&gt;Benny Shanon, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/smith_shanon.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;The Divine Within&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 8, No.2)   &lt;/li&gt;&lt;li&gt;Marc Bekoff, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/81-90.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Social Play Behaviour: Cooperation, Fairness, Trust and the Evolution of Morality&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 8, No.2)   &lt;/li&gt;&lt;li&gt;Tim Bayne, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/79-92.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Co-consciousness&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 8, No.3)   &lt;/li&gt;&lt;li&gt;Jack Petranker, &lt;a class=&quot;external&quot; href=&quot;http://thesourcecode.wetpaint.comhttp://www.imprint.co.uk/pdf/taboo.pdf&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;Who Will Be the Scientists?&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; (Volume 8, No.11) &lt;/li&gt;&lt;/ul&gt;  For colour brochure and cumulative contents email &lt;a href=&quot;http://thesourcecode.wetpaint.commailto:sandra@imprint.co.uk&quot; target=&quot;_self&quot;&gt;&lt;u&gt;&lt;font color=&quot;#0000ff&quot;&gt;sandra@imprint.co.uk&lt;/font&gt;&lt;/u&gt;&lt;/a&gt; &lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Intro to Entries</title><link>http://thesourcecode.wetpaint.com/page/Intro+to+Entries</link><author>sidianmsjones</author><guid isPermaLink="false">http://thesourcecode.wetpaint.com/page/Intro+to+Entries</guid><comments>Rename</comments><pubDate>Sat, 13 Sep 2008 02:23:35 CDT</pubDate><description> 			&lt;br&gt;&lt;table align=&quot;left&quot; cellpadding=&quot;3&quot; class=&quot;wp-border-all&quot; height=&quot;591&quot; width=&quot;451&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width=&quot;100%&quot;&gt;&lt;h2 align=&quot;center&quot;&gt;Format Idea for Entries&lt;br&gt;&lt;/h2&gt;&lt;h3&gt;Link&lt;/h3&gt;Provide the link to the article first, if there is one, as it is the most important piece of information.&lt;br&gt;&lt;br&gt;If you are writing a &amp;quot;Full Entry&amp;quot; and there is no link, then please provide a detailed reference of where you got the article.&lt;br&gt;&lt;br&gt;&lt;h3&gt;Intro&lt;/h3&gt;A short description of what the reader will learn here.&lt;br&gt;&lt;br&gt;&lt;h3&gt;Author&lt;/h3&gt;The author of the publication.&lt;br&gt;&lt;br&gt;&lt;h3&gt;Criticism&lt;/h3&gt;Did you have, or find any criticism regarding this article or anything mentioned in it?&lt;br&gt;&lt;br&gt;&lt;h3&gt;&lt;font color=&quot;#ffffff&quot; size=&quot;4&quot;&gt;Tags&lt;/font&gt;&lt;/h3&gt;&lt;font color=&quot;#ff0000&quot; size=&quot;3&quot;&gt;Important!&lt;/font&gt;&lt;br&gt;Other than the link, the most important thing you can do is add the appropriate &lt;a href=&quot;http://thesourcecode.wetpaint.com/page/Tags&quot; target=&quot;_self&quot;&gt;tags &lt;/a&gt;to your entry! Because The Library does not use categories.&lt;br&gt;&lt;br&gt;Why?&lt;br&gt;&lt;br&gt;Because entries very often fit in more than one category.&lt;br&gt;&lt;br&gt;How?&lt;br&gt;&lt;br&gt;It&amp;#39;s super easy. When you finish your entry you&amp;#39;ll see links to &amp;quot;edit tags&amp;quot; on both the top and bottom of your entry.&lt;br&gt;&lt;br&gt;Just click on one of those and throw in a few keywords that will allow people to easily search for your entry later.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; 			There are primarily two ways to list a parapsychological article at The Source Code.&lt;br&gt;&lt;br&gt;&lt;font color=&quot;#00ff00&quot; size=&quot;4&quot;&gt;Remember&lt;/font&gt;&lt;br&gt;There are no &amp;quot;categories&amp;quot; for entries into The Library at The Source Code. Please enter ALL OF YOUR LIBRARY ENTRIES directly into The Library and then &lt;font color=&quot;#ff0000&quot;&gt;add tags&lt;/font&gt;!&lt;br&gt;&lt;br&gt;&lt;h3&gt;The Link Entry&lt;br&gt;&lt;/h3&gt;In this method the most important part of the entry is the link that sends you to the parapsychological article mentioned. This method is the fastest, for you, and the shortest. But it is best to follow a few guidelines for this method nonetheless. Since everyone is still getting used to this I&amp;#39;m providing a few possibilities below.&lt;br&gt;&lt;br&gt;&lt;h3&gt;The Full Entry&lt;/h3&gt;If you are using this method you may have found the parapsychological article outside of the internet, in which case it will need to be typed here on The Source Code so you can share this article with the rest of us.&lt;br&gt;Or maybe you just wanted to make reading the article convenient for everyone by posting it fully on RG. Good for you!&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item></channel></rss>